Crown of Wind (Study 2)
Crown of Wind (Study 2)
Crown of Wind (Study 2) is an exploration of impermanence and interconnectedness. Originally conceived as a study for a larger piece, it evolved into its own distinctive edition.
The title reflects the fleeting beauty of existence, while the embedded infinity symbol, doubling as mask-like eyeholes, invites contemplation of the interplay between the mortal and the divine. This piece beckons the viewer to "stare into the void" and ponder the enigmatic balance of life's transience and eternal truths.
This artwork is numbered as an edition of 8, all of which are currently available. I never reproduce or reissue my editions.
This artwork is 29.5” tall and 29.5” wide (across the diagonal of the square).
All artworks are ready to ship. Domestic orders placed before December 15th will arrive in time for the holidays. If you are located outside the US, or order after the 15th, please feel free to email me at hello@gabrielschama.com and I’m happy to provide you with an estimated delivery date.
Each piece is signed and numbered, and named Crown of Wind (Study 2) on the back.
Artwork is available for pick up at no cost from Oakland, CA or ships for an additional fee. Please note International buyers are responsible for any import taxes.
If you have any questions, don't hesitate to contact me at Hello@GabrielSchama.com.
**Please note that I do everything in my power to ensure that the artwork will arrive immaculate and undamaged. If the mail carrier has a bad day, or you drop the piece after you open it, or for any other reason the work is damaged, I consider all my work to have a no-limit, free-repair warranty. If you ship any piece back to me with return postage, I will do everything I can to fix the damage.**
Please note, International shipping is an additional cost and the buyer is responsible for any taxes or tariffs specific to the receiving country. Those are typically collected by your local customs agent upon delivery and are in addition to shipping charges.
I endeavor to make my work as robust as possible, but the designs are still delicate and need to be handled with care. As for most artwork, best practice is to keep these pieces out of prolonged direct sunlight or excessively humid environments.